REALITY IS BETTER BY FAMILY STROKES NO FURTHER A MYSTERY

The delightfully deadpan heroine at the heart of “Silvia Prieto,” Argentine director Martín Rejtman’s adaptation of his individual novel with the same name, could be compared to Amélie on Xanax. Her day-to-day life  is filled with chance interactions as well as a fascination with strangers, however, at 27, she’s more concerned with tryin